The concept of travel is shaped by things with meaning and love.
Hello, my name is Polly! Himmelen is a daily updated blog about travel, inspirations, photographers, illustrators, food lovers and everyday moments from all over the world.
Read moreComing from two
different cultures has
been instrumental in
how we’ve approached
our design process.
Ever wondered if your lack of artistic ability was due to your parents’ mathematical-minded genetics or their refusal to sign you up for after-school art classes? Or how your friend was a piano prodigy despite her dad barely being able to play a note?
In reality, the friend who always answers our calls, the barista who doubles as our therapist, and the co-worker who invited us out during our first crushingly lonely week in a new city can feel as much like our family as the clan we’re born into.
Balancing a composition involves arranging both positive elements and negative space in such a way that no one area of the design overpowers other areas. Everything works together and fits together in a seamless whole. The individual parts contribute to their sum but don’t try to become the sum.
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These people aren’t assigned to us, but chosen by us—and isn’t that as worthy of celebration as any confluence of fate and genetics? These carefully selected families continue to grow throughout our lives without a ticking sociological to worry about.
Nowadays, a family is simply a network of people who care for each other. It can contain hundreds or two. You can be born into one or build your own. Membership can be gained through genetics, friendship, geographic proximity, work or a shared appreciation.
In our current society, real family values have nothing to do with where we live or how we know each other—they’re about how we treat each other. Now there’s a concept worthy of a cheesy half hour of television.
Assuming you were both about the same size, you were able to easily balance on the seesaw. The following image appears to be in balance, with two equally sized people equally distant from the fulcrum on which the seesaw balances.
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