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A balanced composition feels right. It feels stable and aesthetically pleasing. While some of its elements might be focal points and attract your eye, no one area of the composition draws your eye so much that you can’t see the other areas.
In reality, the friend who always answers our calls, the barista who doubles as our therapist, and the co-worker who invited us out during our first crushingly lonely week in a new city can feel as much like our family as the clan we’re born into.
Balancing a composition involves arranging both positive elements and negative space in such a way that no one area of the design overpowers other areas. Everything works together and fits together in a seamless whole. The individual parts contribute to their sum but don’t try to become the sum.
The person on the left makes the If one of the people was much bigger, though, the balance would be thrown off.seesaw rotate counterclockwise, and the person on the right makes it rotate clockwise by an equal amount. The force of each person acts in a different direction, and their sum is zero. Just as in the physical world, visual balance is a good thing. It’s desirable in and of itself.
